Category Archives: Animation

MUSIC MATTERS : NICK CAVE (SARAH COX & EMMA LAZENBY, 2010)

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Music matters is a series of animated shorts about musicians. While it’s at first an operation to promote legal ways of distributing music on the internet it also allows animators to design what’s basically a love letter to their favorite artists.

This episode, directed by Sarah Cox & Emma Lazenby, both members of the animation collective Arthur Cox), focuses on Nick Cave. (set to Red Right Hand from his album Let Love In )

There are already many more great videos on the website (about Kate Bush, The Jam, Sigur Ros…) and more to come.

MERMAID (OSAMU TEZUKA, 1964)

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Another one of Tezuka‘s lesser known gems, this little ode to daydreaming takes a surprising turn in the middle…

WAKING LIFE – ANTS (RICHARD LINKLATER, 2001)

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Waking life, directed by Richard Linklater, probably one of the most quotables movie ever, depicts a series of dreams where Wiley Wigins (one of the main protagonists of Dazed and Confused) encounters philosophers, scientists and artists, each one rotoscoped with a different animated style.

It could be a collection of random ramblings about life but it turns out to be so much more it becomes quite an experience.

In this brief scene, he meets performance artist Tiana Hux.

PEN POINT PERCUSSION (NORMAN McLAREN, 1951)

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An introduction to the hand-drawn sounds of Norman McLaren, one of the most famous names in experimental cinema. In this 1951 short, he explains his technique of drawing directly onto the optical track to produce “musical images”, the perfect balance between sound and picture, which was the basis for most of his work…

LE VOL D’ICARE (GEORGES SCHWIZGEBEL, 1974)

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Georges Schwizgebel, swiss animator, directed a few short films in the style of animated paintings

Here’s one of his most unusual outings from the 70′s, Le vol d’Icare, at times almost like pixel art.

LITTLE NEMO (the GHIBLI VERSION, 1984)

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In 1984 Yoshifumi Kondo (Whisper Of The Heart), who was destined to be Hayao Myazaki‘s successor before he died in 1998, directed a short test in 70mm for a proposed adaptation of Winsor Mc Cay‘s Little Nemo in Slumberland.

Unfortunately, the production company didn’t like the result and fired Kondo. It was already a troubled production with drafts written by Ray Bradbury and Moebius. The final feature, started from scratch with a different animation team was finally released five years later and ended up being flawed but cult nonetheless.

These few minutes are all that’s left of what could have been one of Ghibli‘s masterpieces.

HALLAM FOE / opening credits – DAVID SHRIGLEY

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Hallam Foe, by David Mackenzie, sets the mood pretty early with an opening credits sequence designed and animated by artist David Shrigley.

(it was not Shrigley’s first foray into animation, he co-directed Blur’s good song video with Shynola, and then went on to many animated short films including a great one recently commissioned by Pringle of Scotland)

LE ROI ET L’OISEAU (1980) – ELEVATOR SCENE

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Le roi et l’oiseau, produced by the combined talents of poet Jacques Prévert‘s & animator Paul Grimault, remains a beloved animated feature and still has many admirers, including, among others, Hayao Miyazaki who has admitted many times that Laputa/castle in the sky was his own tribute to the film.

Here’s one of the most famous scenes of the feature : the elevator scene.

of Montreal – Gronlandic Edit

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Label : Polyvinyl Records

myspace.com/ofmontreal

FEELING MY WAY (1997) – JONATHAN HODGSON

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Partly rotoscoped video footage shot and animated by Jonathan Hodgson.

Daydreaming stream of consciousness of a man on his way to work.