Directed by Romain Chassaing @ So lab / Première Heure
A word of caution… A few people exposed to this dance sequence from Hal Hartley‘s Simple men have experienced the following :
- strong temptation to shout “I can’t stand the quiet” along with Martin Donovan (or at least contemplating the possibility of doing something similar someday)
- unexplainable crush on Elina Löwensohn mostly based on her effortlessly cool way to move to Sonic Youth‘s Kool Thing
- the strange feeling that Tarantino was not the first one to like Band of Outsiders a little bit too much .
This could happen to you (or not).
Music matters is a series of animated shorts about musicians. While it’s at first an operation to promote legal ways of distributing music on the internet it also allows animators to design what’s basically a love letter to their favorite artists.
This episode, directed by Sarah Cox & Emma Lazenby, both members of the animation collective Arthur Cox), focuses on Nick Cave. (set to Red Right Hand from his album Let Love In )
There are already many more great videos on the website (about Kate Bush, The Jam, Sigur Ros…) and more to come.
When one thinks of John Hughes‘ most famous movie, there are many moments and quotes to remember but the power of the late director was also in the quiet moments, like this museum scene.
Filmed in the Chicago art institute, home of one of the best collections in modern art, where Hughes found comfort during his teen years. He said this scene was an excuse to get back there and show off his favorite paintings and sculptures. He also said the end of the sequence was for him the key to the movie…
The music is a cover of The Smiths‘ Please, Please, Please Let Me Get What I Want by Dream Academy (yes it does sound a little bit like elevator music, but you should see the video)
It has just been announced that Paul Greengrass, the king of shaky-cam, will remake Richard Fleischer‘s pop trip into the human body. The voyage of the title is the one undertaken by scientists, in a miniaturized ship travelling to a diplomat’s brain to get rid of a menacing clot. It is also a wonderful excuse for some special effects that were groundbreaking them and are just charming now.
Unnofically remaked before in 1987 under the name Innerspace, it then became and animated series and even a Disneyland attraction so realistic it had to be closed down (many visitors felt a little ill when the ship came close to the heart). The new version will be in 3D and James Cameron is producing which might make for a nice trip if Greengrass goes against his no-tripod policy for once.
In this sequence from Arizona Dream, Vincent Gallo‘s frantic character (Paul Léger) performs a stunning rendition of Cary Grant‘s surpringly minimalist acting in the most famous scene in Hitchcock‘s North by Northwest.
Another one of Tezuka‘s lesser known gems, this little ode to daydreaming takes a surprising turn in the middle…
Made with found footage and a particularly striking type of editing, part cut-up and part free association, this was the first short film of Canadian experimental filmmaker Arthur Lipsett.
It started as a soundtrack he assembled from various sources and the images only came when some of his friends suggested he added picture to the sound. This kind of reverse engineering gives the short most of its edge.
Kubrick, who described the short as “one of the most imaginative and brilliant uses of the movie screen and soundtrack that I have ever seen” asked Lipsett to edit the trailer for Dr. Strangelove. Pablo Ferro ended up doing it when he refused but his influence can still be felt in the final result.
Among the forgotten gems of the 80′s, Paperhouse by Bernard Rose never really enjoyed the success it deserved.
It’s a hard film to describe, a movie about children but not really for children, clearly rooted in fantasy and sold as the horror film it never really becomes. It’s about a little girl who starts visiting in her dreams the house of her drawings, a journey into the unconscious who could best be described as an ancestor to Neil Gaiman‘s Coraline.
You gotta love the americans. They can take anything and turn it into an action packed ride if you give them 2 minutes. Take this trailer for Truffaut‘s hommage to Hitchcock, one of his co-productions with United Artists.
If you’ve never seen the film, you’ll think it’s the sixties’ Kill Bill (actually, if you’ve seen the film, you’ve probably noticed the connection too). But, as always with Truffaut, it’s so much more than that… (like, for instance, The man who loved women‘s unofficial prequel)
Written and directed by Aurélia Morali. (2006) // With Clémence Poésy & Adrien De Van // Soundtrack: Au Revoir Simone // In the middle of a wheatfield, a girl throws a paper plane in the air. It falls at a boy's feets...//
